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A 1962 Beatles Demo Tape Is at the Center of a Legal Fight Between Geoff Emerick's Estate and UMG
Universal Music Group and the estate of late engineer Geoff Emerick are battling in a Los Angeles court over what UMG calls the first known Beatles recording.

A tape that survived six decades
In June 1962, a teenage Geoff Emerick was working as an apprentice sound engineer at EMI Studios when John Lennon, Paul McCartney, George Harrison, and drummer Pete Best recorded a demo featuring four songs: "Besame Mucho," "Love Me Do," "PS, I Love You," and "Ask Me Why." The tape was sent to a nearby squash court where, according to Billboard, "tapes went to die." Emerick kept it instead, holding onto it for decades until his death in 2018 at the age of 72.
Now, Universal Music Group (UMG) and Emerick's estate are in a quiet but serious legal dispute in a Los Angeles court, each claiming to be the rightful owner of what UMG has described as the "first known Beatles recording."
What each side argues
UMG, which acquired EMI in 2012, says the tape was always company property and that Emerick had no right to take it. The label's lawyers have called the object "a highly valuable artifact of rock and roll history that was stolen."
Emerick's estate sees it differently. His lawyers argue the tape had effectively been discarded and that Emerick rescued it from destruction. Because Emerick died without a will, spouse, or children, his case went to probate court, and a Los Angeles judge named a group of his cousins as heirs. An administrator, Maya Rubin, found the tape while going through his Laurel Canyon home. In a 2019 court filing, Rubin described it as significant precisely because it features Pete Best rather than Ringo Starr.
UMG says it learned the tape existed when it was listed online for sale to "the highest bidder" just weeks after Emerick's death. The label says it demanded its return, apparently without success.
Who was Geoff Emerick
Emerick joined EMI at 16, reportedly after a school guidance counselor suggested he apply. He worked under lead engineer Norman Smith through the early Beatles albums, then took over as chief engineer in 1966 at the request of producer George Martin, beginning with Revolver. He was at the helm for Sgt. Pepper's Lonely Hearts Club Band, for which he later won a Grammy, and returned for Abbey Road after stepping away during the White Album sessions.
Bob Spitz, author of The Beatles: The Biography, told Billboard that Emerick "allowed the Beatles to break rules at Abbey Road" and that his closeness in age to the band meant they trusted him in ways they might not have trusted others. Paul McCartney eulogized him as someone "always open to the many new ideas that we threw at him."
The case remains unresolved, and the fate of one of rock history's more unusual artifacts is now in the hands of a California judge.
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